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Pouya Ghasemlou Educator Lavelle Expounding on Literature 102 2 February 2014 Topics and implications Outrageous pride is the center topic in both of the plays. For instance, in Antigone, Creon chooses not comply with the god's desire and decay to give a legitimate memorial service to Antigone’s sibling. Since Creon is too satisfied to even consider accepting his issue and furthermore he needs to keep the appearance before the individuals he chooses to execute Antigone. He is extremely vain when he set up another law that is something contrary to blessed qualities in light of the fact that nobody ought to build up any law that is equal to the God’s rule. When Teiresias tells Creon of his destiny, Creon will not accept this; along these lines Creon must endure the loss of his family. Sexual classification: the Role of Females The criticalness of Antigone’s activity are profoundly affected by her sexuality. Truth be told, Creon concedes that one of the primary reasons that rouses him to oust Antigone is essentially because of the way that she is a female. Regardless of whether somebody considers the opportunity of females with antiquated norms he will understand that ladies in Greek was under a serious limitations and constraints. Having this as a main priority, Antigone's rebellion was considered as a potential threat since it was intending to change female’s character in the Greek society. Antigone decided to be dynamic and this progressions one of the crucial laws of the Greek culture. Antigone is the Protagonist in light of the fact that at the exceptionally opening of the play she can't help contradicting her sister who is viewed as a ‘good girl’ dependent on the Greek origination of being acceptable in light of the fact that she verifiably complies with the laws of the gene ral public. In the restricting point, Antigone is a rebels and won't resemble her sister. So it might be said, Ismene is Antigone's foil because of the reality t... ...as, the envoy, and shepherd †after he cuts out his eyes he requests to be ousted. Oedipus is consistently eager and is consistently out of his compass. Before the finish of the play his name has become a revile †he is embarrassed about himself and his activities (shows he is a DYNAMIC CHARACTER) †this revile gives to his kids as indicated when his two children and little girls meet their destiny. Antigone In view of the way that she is very much aware of her past. For Creon, she is more risky than Oedipus, Antigone is more perilous than Oedipus, particularly to Creon. In light of what she and her family has experienced she has an inclination that there is nothing else to lose. Because of the destiny her family has encountered, Antigone feels she has nothing to fear. She reveals insight into the contrasts between God’s rule and social guideline. She underlines that his standards can't exceed God’s wish.